She has collaborated with François Verret, Alain Buffard, Alain Mahé, Stéphanie Coudert, Ko Murobushi, Rachid Ouramdane, Maud Le Pladec, Jean-François Pauvros, Maya Mihindou, Ben Lamar Gay and Radouan Mriziga. In 2014, she created her first work, Samedi Détente, followed by Unwanted in 2017 and Mailles in 2020. Her work starts from reality to capture memory and bodies, both individual and collective, to speak out and to carry the voices of those who are silenced, to denounce the genocide of the Tutsis in Rwanda, violence against women, racial and colonialist domination, to make the silences heard and to show the scars of History. In 2020, she translated from English Hopelessly Devoted by Kae Tempest, published under the title Les inconditionnelles by L'Arche Éditeur. Associate artist at the Théâtre de la Ville (Paris) from 2018 to 2021, Dorothée Munyaneza is now Associate Artist at the Théâtre national de Chaillot and in residence at the Fondation Camargo from 2022 to 2024. 

Madeleine received her Bachelor of Arts from Princeton University before pursuing a Masters in « Media, Arts and Creation » at HEC Paris and a Master 2 in gender and performance studies at the EHESS. There, she led an arts-based research project with the nonprofit Women Safe, where she continues to facilitate a creative writing and theatre workshop. Madeleine is currently completing her PhD at the EHESS ; her dissertation research examines contemporary methods for devising performance in France.

Her most recent writing can be found in CURA., OnCurating, SwitchOn Paper, and EarthKeepingEarthShaking. She has curated two group shows : Spine at GIANNI MANHATTAN as part of Curated by (Vienna, 2024), as well as Scabs at the Mécènes du Sud (Montpellier, 2023). Madeleine pursues her training in contemporary dance.