His work has been exhibited namely at the Brooklyn Museum in New York, the FOAM Gallery in Amsterdam, L’Institut du Monde Arab, Art Basel by Paris+ and the Institute of Islamic Cultures in Paris, Patel Brown in Toronto, and the Lyon Biennale amongst others. 

Mohamad’s films have been screened and awarded at festivals such as Eyes Wide Open and the Leeds Queer Film Festival in the UK, IQMF in Amsterdam, The Brooklyn Museum and Woodbury LGBTQ Film Festival in the US, and Pink Apple Schwullesbisches Lesbian & Gay Film Festival in Switzerland to name a few. 

Commercially, he has shot for and directed narrative fashion films and music videos with the likes of Gucci, Vogue US, Vogue Italia, Burberry, Puma, The New York Times, Slate, Fendi, Farfetch, GQ, King Kong, Dazed, Another, Nowness, Vice UK and L’officiel. 

His personal endeavors tend to focus on the untold stories of Beirut and uncovering the rich yet eradicated queer histories of the Arab-speaking region through several documentaries and photo stories that have been featured in publications from A24, Telerama, Foam Magazine, Tetu, New Queer Photography, Kaleidoscope, i-D, Photoworks, The Guardian, Facebook and more. 

As of 2019, he has dedicated his time to working on what is arguably the first archive of trans* histories in an Arab country, a project entitled Treat Me Like Your Mother: Trans* Histories From Beirut’s Forgotten Past. The collection resides safely today at the Arab Image Foundation. 

Recently, he’s been working on a long-term project that delves deeper into the town he grew up in, in the Bekaa of Lebanon bordering with Syria, presenting questions around the ideals of masculinity that he was meant to embody, and the strains that such expectations can have on interfamilial relationships.