Olga Dukhovnaya studied at P.A.R.T.S in Brussels. She developed her own projects from 2006 to 2010 in Moscow and also organized workshops on movement and composition at GITIS and TsEKh dance schools. In 2009, she won the DanceWeb scholarship of the festival ImpulsTanz / Vienna. Since 2010, she is an interpreter for Boris Charmatz ("Levée des conflits", "Flip Book", "enfant", "Manger"). In 2012, she began to work with Maud Le Pladec ("Democracy", "Concrete") and she completed her Masters in dance and choreography at the CNDC of Angers which she graduated in 2013. During her training at the CNDC of Angers she created “KOROWOD”, a piece rewarded during the second edition of the Danse élargie contest (organized by the Danse Museum and Théâtre de la Ville in Paris). Korowod is inspired by a traditional Russian dance executed in group; which Mutant Stage 4 is an adaptation. Konstantin Lipatov is a film director who has been working with Olga Dukhovnaya since 2006. Together they set up video-dance workshops in Moscow, Yaroslav and at the Université Rennes 2.

Konstantin Lipatov is a film director who has been working with Olga Dukhovnaya since 2006. Together they set up video-dance workshops in Moscow, Yaroslav and at the Université Rennes 2.

In 2006, he began his collaboration as a director with Olga Dukhovnaya and other Russian choreographers. His films including White Swan, 2010 or Strangers, 2013 have been presented and awarded at many international festivals. Together with Olga Dukhovnaya, he has set up video-dance workshops which he regularly conducts in Moscow, Yaroslav and Rennes 2 University.

Amélie Coster is an independent curator, performance programmer and producer.

She has worked at the Festival d'Avignon (1997-2000), at the Edna association - created by dancers and choreographers Boris Charmatz and Dimitri Chamblas - (2000-2003), at the Parc de La Villette (2003-2008) and at Vivarium Studio with Philippe Quesne (2009-2011). She then initiates and programmes projects at the crossroads of the visual and performing arts by developing her own structure, Casoar (2012).

She thus collaborates with numerous artists, institutions and private partners. She is co-curator with Dimitri Chamblas of the exhibition 3e scène - Opéra national de Paris / Fonds Hélène et Edouard Leclerc pour la Culture in 2016. She prepared with the curator Emilie Girard the exhibition On danse? presented at the MuCEM from January to May 2019. She has also designed an artistic programme aimed at very young children (0-3 years) for the Crèches de France group. She is currently collaborating on a documentary series on international choreographers, and on some of the actions carried out by PERU, a research laboratory on contemporary forms of hospitality.