46min
Online event since 4 years et 6 mois Online event since 4 years et 6 mois Online event since 4 years et 6 mois

Talk

Marguerite Humeau, Weeds

En ligne

Thursday 25 Jun 2020 from 5pm to 5:50pm

"Weeds" follows Marguerite Humeau's questioning about the upheavals that are shaking the world.

Shot in London during the lock down, we see the artist surveying her close environment and rediscovering the beings that populate it. A filmed investigation on wild flowers that grow in the interstices of the asphalt, "Weeds" is interested in these plants with their many unnoticed virtues, yet they are signs of the strength and power of life.
The investigation opens with an encounter between the artist and Lucia Stuart, an artist and expert in gathering, who tells the philosophy of the practice of foraging.
The video is followed by an interview with Rebecca Lamarche-Vadel, putting this approach into perspective within the artist's work.

This exploration is the starting point for Marguerite Humeau's residency at the Fondation Lafayette Anticipations starting in November 2020. On this occasion, the public will be invited to participate in several workshops with the artist devoted to the design of poetic and political gardens, in collaboration with numerous high school students and speakers (philosophers, botanists).
Marguerite Humeau and Rebecca Lamarche-Vadel
Ranging from prehistory to imagined future worlds, Marguerite Humeau spans great distances in space and time in her pursuit of the mysteries of human existence.

Marguerite Humeau breathes life into lost things, whether they be lifeforms that have become extinct or ideas that have disappeared from our mental landscapes. Filling gaps in knowledge with speculation and imagined scenarios, her aim is to create new mythologies for our contemporary era.

She received her MA from the Royal College of Art, London, in 2011.

Solo exhibitions of her work have been held at Lafayette Anticipations, Paris (2021); Jeu de Paume, Paris (2020); Kunstverein Hamburg (2019); Museion, Bolzano (2019); New Museum, New York (2018); Tate Britain, London (2017); Haus Konstruktiv, Zürich (2017); Schinkel Pavillon, Berlin (2017); Nottingham Contemporary (2016); and Palais de Tokyo, Paris (2016).

Humeau’s work has been featured in numerous group exhibitions, including Lafayette Anticipations (2024); Kunsthalle Basel (2021); the Istanbul Biennial (2019); Centre Pompidou, Paris (2019); MAMVP, Paris (2019); the High Line, New York (2017); Château de Versailles, France (2017); Kunsthal Charlottenborg, Copenhagen (2017); FRAC Midi- Pyrénées, Toulouse, France (2017); Serpentine Galleries, London (2014); and Victoria and Albert Museum, Sculpture Gallery, London (2014).

Artiste et experte en cueillette, Lucia Stuart utilise des aliments sauvages provenant de haies, de forêts et de bords de mer pour créer des plats délicats et délicieux.
Lucia Stuart est écossaise mais a été élevée à Londres. Dans les années 80, elle a étudié les Beaux-Arts pour devenir artiste à Mexico. Puis, pendant dix ans, elle a tenu un café dans le sud-ouest de la France. Lucia est basée à Deal, dans le Kent, dans une maison de ville géorgienne à une minute de la plage. Sa société, The Wild Kitchen, a été créée en 2012. "Manger de la nourriture provenant directement de plantes sauvages apporte une certaine magie ; cela rétablit des liens avec le monde naturel & entre eux".

Rebecca Lamarche-Vadel is director of Lafayette Anticipations, Fondation des Galeries Lafayette. In 2020 she was the chief curator of the Riga Biennial, "and suddenly it all blossoms", and director of the feature film based on the exhibition.

From 2011 to 2019, she was curator at the Palais de Tokyo where she curated, among others, the cartes blanches to Tomas Saraceno, ON AIR (2018-2019) and to Tino Seghal (2016). She has also curated the exhibitions of Marguerite Humeau, FOXP2 (2016), Ed Atkins, Bastards (2014), Helen Marten's Evian Disease (2013), or David Douard's Mo'swallow (2014), as well as the group exhibition Le bord des mondes(2015).

She regularly collaborates with international institutions, with the projects 72 hours of truce: exploring immediate signs (2013) and Bright intervals (2014) at MoMA PS1 (New-York), FOXP2 (2016) at Nottingham Contemporary, Landscape (2014) with the Stedelijk Museum (Amsterdam) or Des présents inachevés for la Biennale de Lyon (with Oliver Beer, Julian Charrière, Jeremy Shaw and Benoît Pype, 2013). In 2017, she was co-curator of the exhibition Voyage d'Hiver at the Château de Versailles.

Rebecca Lamarche-Vadel regularly publishes in French and international journals and catalogues, and participates in numerous seminars and juries in France and abroad (FIAC, French Pavilion at the Venice Biennale etc).

She has a degree in Art History, History and Political Science from the University of Paris I - La Sorbonne.

Bibliographie

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[EN] Darke, Rick, et Doug Tallamy. The Living Landscape: Designing for Beauty and Biodiversity in the Home Garden. Timber Press., 2014.

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Ducerf, Gérard. Guide ethnobotanique de phytothérapie. Promonature, 2012.

Ducerf, Gérard, et Rémi Geneston. La flore des bonnes herbes. Promonature, 2020.

[EN] Dunnett, Nigel. Naturalistic Planting Design The Essential Guide. Filbert Press, 2019.

Escuder, Olivier. Plantes médicinales mode d’emploi. Eugen Ulmer Eds., 2007.

Fukuoka, Masanobu. La révolution d’un seul brin de paille, Une introduction à l’agriculture sauvage. Guy Trédaniel Editions., 2005.

[EN] Gagliano, Monica. Thus Spoke the Plant: A remarkable journey of groundbreaking scientifc discoveries and personal ecounters with plants. North Atlantic Books., 2018.

Giraud, Marc, Vincent Albouy, et François Lasserre. Les insectes en bord de chemin. Delachaux. Insectes et Autres Invertébrés, 2019.

Guillard, Valérie, et Dominique Roux. « De la pauvreté à l’exentricité: le glanage comme révélateur des marges de la consommation ». Sciences de l’Homme et Société, Gestion et Management, 48, no 3 (s. d.): 2014.

Mancuso, Stefano, et Alessandra Viola. L’intelligence des plantes. Traduit par Renaud Temperini. Albin Michel., 2018.

Marder, Michael. Plant- Thinking A philosophy of Vegetal Life. Columbia University Press., 2013.

Morton, Timothy. Dark Ecology: For a Logic of Future Coexistence. Columbia University Press., 2016.

Moutsie, et Gérard Ducerf. Récolter les jeunes pousses des plantes sauvages comestibles. Terran Editions., 2015.

O.  Chris, C. Nicolai, et H. Riffaut. « Les glaneurs alimentaires. Rapport d’étude qualitative remis à la DIIESES pour le Haut-Commissariat aux solidarités actives contre la pauvreté ». Paris Centre d’étude et de recherche sur la philanthropie, 9 janvier 2009.

[EN] Oudolf, Piet, et Henk Gerritsen. Planting the Natural Garden. Timber Press., 2019.

Oudolf, Piet, Henk Gerritsen, et Noël Kingsbury. Jardins naturalistes-Les meilleures plantes vivaces. Traduit par Didier Willery. Eugen Ulmer Eds., 2020.

[EN] Oudolf, Piet, et Noël Kingsbury. Planting A new Perspective. Timber Press., 2003.

Oxley, George. La fleur au fusil, Nutrition, santé, climat: la science des plantes sauvages pour sauver l’homme. Alternatives. Manifesto, 2016.

Paddeu, Flaminia. « Déchets, mauvaises herbes et plantes sauvages, Géographie critique du glanage alimentaire urbain ». Echo Géo 47 (mars 2019): pp.1-20.

[EN] Robinson, William. The Wild Garden. Timber Press, 2009.

Sombrun, Corine. Mon initiation chez les Chamanes, Une parisienne en Mongolie. Pocket., 2019.

[EN] Steiner, Rudolf, et G. Adams. Agriculture Course: The birth of the Biodynamic Method. Rudolf Steiner Press., 2004.

Ubarrechena, Diana, George Oxley, et Gérard Ducerf. Manifeste gourmand des herbes folles: Se faire du bien en dégustant les plantes sauvages. Editions Toucan., 2013.

Wohlleben, Peter. La vie secrète des arbres. Les Arènes Eds., 2017.

[EN] Vegetal Politics: Belonging, practices and places. Routledge., 2015.

Filmographie

Agnès Varda, Les Glaneurs et la Glaneuse, 2000