Why are you angry ?

In this piece, the artists situate the female figure as subject and author, rather than mere object of the male artist’s gaze. This concept, theorized in 1975 by feminist filmmaker Laura Mulvey, defines the biased construction of femininity by the male creator. In their film, Nashashibi/Skaer borrow from Gauguin’s work, staging their contemporary female models in poses similar to those found in the postimpressionists’ pieces, while granting the subjects a newfound agency: the liberty to not observe the spectator in turn. By reexamining these scenes, the artists topple the male gaze: the representation of women by women, inviting the spectator to observe the subjects through a different lens.