Rabih Mroué
Rabih Mroué is a contributing editor for The Drama Review /TDR (New York) and a co-founder of the Beirut Art Center (BAC). He was a fellow at The International Research Center: Interweaving Performance Cultures/ FU/Berlin from 2013 -2014.
He has been working as a theatre-director (metteur en scène) at Münchner Kammerspiele from 2015 -2019.
His works include: Hartakāt (2023), Sunny Sunday (2020), Borborygmus (2019), So Little time (2016), Ode à la joie (2015), Riding on a cloud (2013), 33 RPM and a Few Seconds (2012), The Inhabitants of images (2008), Who's Afraid of Representation (2005), looking for a missing employee (2003) and others...
He has performed and exhibited internationally including dOCUMENTA (13) - Kassel, CA2M Centro de Arte Dos de Mayo - Madrid, Reina Sofia Museum /Madrid, The ICP Triennial and MoMa - New York, Centre Pompidou – Paris, SALT – Istanbul, among others…