French artist Xavier Veilhan has been developing since the mid-1980s, an extensive work defined by his interest in both the vocabulary of modernity and classical statuary, to which he has given his own contemporary interpretation.

His work has been presented in numerous exhibitions, notably in 2009 at the Château de Versailles. Between 2012 and 2014 he developed Architectones, a series of interventions that highlights a continuing dialogue between art and architecture in seven modernist buildings around the world. In 2015, this architectural investigation was followed by two films Vent Moderne (La Villette) and Matching Numbers (La 3e Scène - Opéra national de Paris). His last performance SYSTEMA OCCAM (2013) for a musical composition by Eliane Radigue was shown in New York, Marseille, Nantes and Paris. Xavier Veilhan has been selected to represent France at the 57th Venice Biennale (May - November 2017) with his project Studio Venezia, curated by Lionel Bovier and Christian Marclay and supported by Groupe Galeries Lafayette.

Dimitri Chamblas is a dancer and choreographer. Since 2017, he is the DEAN of dance at CalArts University, Los Angeles.

In 1992, he co-founded EDNA with choreographer Boris Charmatz. Together, they create shows, design events, and exhibitions, and publish books. Their duet "À bras le Corps" has been performed on all continents in world-renowned theatres and festivals. It entered the ballet repertoire of the Paris National Opera in 2017. In 1996, he created with Mathilde Monnier (then director of the Centre chorégraphique national de Montpellier) the "research and writing residency", offering artists a personal creative space outside the traditional production process. In 2013, he conceives with the programmer and producer Amélie Couillaud "Mutant Stage", a series of 10 art films for Lafayette Anticipations, Fondation d'entreprise Galeries Lafayette, shot in the building designed by OMA/Rem Koolhaas. In 2014, Dimitri Chamblas is appointed artistic director of the 3rd stage of the Paris National Opera. In collaboration with Benjamin Millepied, he founded this digital creative platform for which he invites artists such as Glen Keane, Xavier Veilhan, Bret Easton Ellis, Julien Prévieux, William Forsythe, Rubber Legz, United Visual Artists, Lil Buck, Barbara Hanigan, Jonas Kaufmann... to create original works of art inspired by the Paris Opera. Always curious about technological advances and their possible variations, Dimitri Chamblas, in partnership with the Google cultural institute, created in 2015 the first immersive dance film captured at 360 degrees from a dance piece choreographed by Benjamin Millepied. In 2017, he launches the Dimitri Chamblas Studio in Paris and Los Angeles, a structure that hosts all his projects and collaborations, including a duet with the star dancer Marie-Agnès Gillot, his participation in Boris Charmatz's "10,000 Gestures", a creation with the architect François Perrin for the Performa Biennial in New York, and a duet with the artist and musician Kim Gordon. The same year, he became the new Dean of Dance at the California Institute of the Arts (CalArts) in Los Angeles and created "HHUMANN", a piece for 75 dancers presented in the streets of Down Town Los Angeles and at the Hauser & Wirth gallery.

Amélie Coster is an independent curator, performance programmer and producer.

She has worked at the Festival d'Avignon (1997-2000), at the Edna association - created by dancers and choreographers Boris Charmatz and Dimitri Chamblas - (2000-2003), at the Parc de La Villette (2003-2008) and at Vivarium Studio with Philippe Quesne (2009-2011). She then initiates and programmes projects at the crossroads of the visual and performing arts by developing her own structure, Casoar (2012).

She thus collaborates with numerous artists, institutions and private partners. She is co-curator with Dimitri Chamblas of the exhibition 3e scène - Opéra national de Paris / Fonds Hélène et Edouard Leclerc pour la Culture in 2016. She prepared with the curator Emilie Girard the exhibition On danse? presented at the MuCEM from January to May 2019. She has also designed an artistic programme aimed at very young children (0-3 years) for the Crèches de France group. She is currently collaborating on a documentary series on international choreographers, and on some of the actions carried out by PERU, a research laboratory on contemporary forms of hospitality.