Echelle Humaine

Exhibition

7 days of Festival
from 20 Sep to 26 Sep 2021

With Ana Pi.

During this Warm Up Session, choreographer-researcher Ana Pi proposes to experiment with the practice of ANCHORED BODY; peripheral dances, sacred gestures.
As a collector of gestures (ancestral and contemporary) from the African diaspora, the artist invites us to experience their foundations and the states of the body that weave them together.

This session will be an opportunity to navigate between these stories set to music and images, as well as to address a question at the heart of Ana Pi's work, namely dance as a place of healing.

A cycle curated by Madeleine Planeix-Crocker.
Sportswear recommended, all levels.
Warm Up Session Ana Pi

Artiste chorégraphique et de l’image, chercheuse en danses urbaines, danseuse extemporaine et pédagogue. Sa pratique se situe entre les notions de circulation, de déplacement, d’appartenance, de superposition, de mémoire, de couleurs et de gestes ordinaires.

En 2020 elle crée la structure NA MATA LAB. NoirBLUE—les déplacements d’une danse (2018 - 27') est son premier documentaire et VÓS (2011 - 5'30) un premier essai vidéographique. O BΔNQUETE, COROA, NoirBLUE, DRW2 et Le Tour du Monde des Danses Urbaines en 10 villes, sont ses pièces qui articulent chorégraphie, discours et installation.

CORPO FIRME; danças periféricas, gestos sagrados est la pratique qui elle développe et partage depuis 2010. Actuellement, elle est en création de The Divine Cypher, projet en Haïti pour lequel elle reçoit la bourse pour l’art en Amérique Latine du MoMA—New York et Cisneros Institute, également la chorégraphe associée du projet Dancing Museums en France, ainsi qu’artiste associée au bureau de production Latitudes Contemporaines.

En collaboration elle développe l'exposition chorégraphique WOMEN PART 3 avec Ghyslaine Gau et Annabel Guérédrat, ainsi que l'installation Rádio Concha avec la philosophe Maria Fernanda Novo, puis compte avec la participation de @Favelinhadance et Chassol pour son dernier essai RACE, en 2021 .

Madeleine Planeix-Crocker is Curator of Performance and Live Arts at Lafayette Anticipations. Since 2021, she has held the positions of the « Troubles, alliances et esthétiques » co-Chair and professor of art theory at the Beaux-Arts de Paris.

Madeleine received her Bachelor of Arts from Princeton University before pursuing a Masters in « Media, Arts and Creation » at HEC Paris and a Master 2 in gender and performance studies at the EHESS. There, she led an arts-based research project with the nonprofit Women Safe, where she continues to facilitate a creative writing and theatre workshop. Madeleine is currently completing her PhD at the EHESS ; her dissertation research examines contemporary methods for devising performance in France.

Her most recent writing can be found in CURA., OnCurating, SwitchOn Paper, and EarthKeepingEarthShaking. She has curated two group shows : Spine at GIANNI MANHATTAN as part of Curated by (Vienna, 2024), as well as Scabs at the Mécènes du Sud (Montpellier, 2023). Madeleine pursues her training in contemporary dance.

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