This mapping workshop is based on a corpus of references linked to the book "De la violence coloniale dans l'espace public" published in 2021 (Shed publishing).

The workshop is led by the author of the book Seumboy Vrainom :€ and the editor, Lydia Amarouche.

Mapping is a method of collective reading stemming from popular education which allows the creation of a common culture around a subject by articulating theory, practice and a sensitive approach.

Seumboy Vrainom :€ is an apprentice digital shaman.

A pure heir of French colonial history, he grew up in Luth, a housing estate in the Paris region, on the 13th floor of a tower block, floating in the virtual. Faced with the difficulty of reappropriating the land, he naturally immersed himself in digital space. Torn between the technological singularity and the collapse of the thermo-industrial society, he militates for a decolonial ecology. In 2020, he founded the Youtube channel Histoires Crépues.

Madeleine Planeix-Crocker is Curator of Performance and Live Arts at Lafayette Anticipations. Since 2021, she has held the positions of the « Troubles, alliances et esthétiques » co-Chair and professor of art theory at the Beaux-Arts de Paris.

Madeleine received her Bachelor of Arts from Princeton University before pursuing a Masters in « Media, Arts and Creation » at HEC Paris and a Master 2 in gender and performance studies at the EHESS. There, she led an arts-based research project with the nonprofit Women Safe, where she continues to facilitate a creative writing and theatre workshop. Madeleine is currently completing her PhD at the EHESS ; her dissertation research examines contemporary methods for devising performance in France.

Her most recent writing can be found in CURA., OnCurating, SwitchOn Paper, and EarthKeepingEarthShaking. She has curated two group shows : Spine at GIANNI MANHATTAN as part of Curated by (Vienna, 2024), as well as Scabs at the Mécènes du Sud (Montpellier, 2023). Madeleine pursues her training in contemporary dance.

Lydia Amarouche is an editor and art worker.

In 2020 she founded Shed publishing, an independent publishing house, which publishes essays on social and political criticism and children's literature.