Tarek Lakhrissi and Madeleine Planeix-Crocker

On the occasion of the Paris Ass Book Fair and the publication of Tarek Lakhrissi's first collection of poems "Le sang !/Blood!" which gathers texts written between 2016 and 2022, the artist discusses with Matthieu Bonicel, head of the Foundation's publishing department and Madeleine Planeix-Crocker, associate curator.

The book is presented as a mirror in two languages, English and French, and introduces us to the themes that structure the artist's work, such as combat, the body, language and the queer minority experience.

It will be entirely designed in Lafayette Anticipations' publishing workshop, located on the ground floor of the Foundation for the duration of the fair.

Tarek Lakhrissi is a French artist and poet with a background in literature. He works across  installation, performance, film, text and sculpture, engaging with political and social issues  around transformative narratives within language, magic, weirdness, codes and love.

His background in literature draws influence from feminist and queer writers, such as Elsa  Dorlin, Jean Genet, Monique Wittig and José Esteban Muñoz, providing his work with a  romantic atmosphere. Each project Lakhrissi initiates derives from text, poetry and language,  which are his primary obsessions, before translating ideas from these mediums into the visual  arts. His profound use of language engages with performativity and reflects on poetic, erotic  and nostalgic queer futures. 

He currently teaches at CCC Research Master Program of the Visual Arts Department at HEAD (Geneva School of Art and Design). Lakhrissi has been exhibited internationally at galleries and institutions including: Museum of Contemporary Art; Biennale of Sydney (2020), Wiels; Brussels (2020), Palais de Tokyo; Paris (2020), Palazzo Re Rebaudengo/Sandretto, Guarene/Torino (2020), Quadriennale di Roma; Palazzo delle Esposizioni, Rome (2020), High Art; Paris (2020), Hayward Gallery; London (2019), Auto Italia South East; London (2019), Grand Palais, FIAC; Paris (2019), Fondation Lafayette Anticipations; Paris (2019), L’Espace Arlaud; Lausanne (2019), Zabriskie; Geneva (2019), Fondation Gulbenkian; Paris (2018), CRAC Alsace; Altkirch, France (2019), Kim?; Riga (2018), Artexte; Montreal (2017), Gaité Lyrique; Paris (2017), SMC/CAC; Vilnius (2017). He is represented by Vitrine Gallery (London - Basel) and is shortlisted for the 22nd Fondation Pernod Ricard Prize (2020-2021).

Madeleine Planeix-Crocker is Curator of Performance and Live Arts at Lafayette Anticipations. Since 2021, she has held the positions of the « Troubles, alliances et esthétiques » co-Chair and professor of art theory at the Beaux-Arts de Paris.

Madeleine received her Bachelor of Arts from Princeton University before pursuing a Masters in « Media, Arts and Creation » at HEC Paris and a Master 2 in gender and performance studies at the EHESS. There, she led an arts-based research project with the nonprofit Women Safe, where she continues to facilitate a creative writing and theatre workshop. Madeleine is currently completing her PhD at the EHESS ; her dissertation research examines contemporary methods for devising performance in France.

Her most recent writing can be found in CURA., OnCurating, SwitchOn Paper, and EarthKeepingEarthShaking. She has curated two group shows : Spine at GIANNI MANHATTAN as part of Curated by (Vienna, 2024), as well as Scabs at the Mécènes du Sud (Montpellier, 2023). Madeleine pursues her training in contemporary dance.