The Center Cannot Hold / Interview Anna Colin #4
Anna Colin is an independent curator, educator and researcher based in Kent, UK.
Alongside her freelance activities, which straddle the curatorial and the pedagogical and increasingly engage the natural environment and open spaces, Anna is training in horticulture and garden design, while completing a PhD in the School of Geography at the University of Nottingham. Her doctoral research unpacks the notion of alternative in multi-public educational organisations from the late 19th century to the present, in the UK and further afield.
Anna was a co-founder and director of Open School East, an independent art school and community space in London then Margate (2013-20). She worked as associate curator at Lafayette Anticipations in Paris (2014-20), associate director at Bétonsalon – Centre for art and research, Paris (2011-12), and curator at Gasworks, London (2007-10).
Anna has curated exhibitions at venues including CA2M, Móstoles/Madrid; Whitechapel Gallery, London; Victoria Gallery & Museum, Liverpool; Contemporary Image Collective, Cairo; GAM, Turin; La Synagogue de Delme, Delme; Le Quartier, Quimper; La Maison pop, Montreuil; and The Women's Library, London
In 2015-16, Anna was co-curator, with Lydia Yee, of British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton).
Lucy Beech makes films that are often situated between documentary and fiction, and engage with communities of marginalized women.
The artist has explored how contexts such as biomedicine, death, wellness, diagnosis and illness involve the construction of narrative, focusing on power and the production of visibility in relation to the female body as well as structures of care, wellbeing and the economies deployed around these themes.
Alongside her solo practice Lucy Beech has worked with Edward Thomasson (since 2007), with whom she develops choreographies that involve the live construction of sound.
She has presented exhibitions and performances at: Lafayette Anticipations (2018); Tate Britain, Londres (2017); the Liverpool Biennale (2016); Maureen Paley, Londres (2016); Site Gallery, Sheffield (2016); Lisson Gallery Londres, Frieze Live, Londres; James Fuentes, New York; Tetley Leeds; The Harris Museum and Art Gallery, Preston (2015).